Literature

Belinda

Character of Belinda in “The Rape of the Lock”.

Answer: Having a Cleopatra-like variety, Belinda is the one who is all pervasive and central character in Alexander Pope’s mock heroic, “The Rape of the Lock”. Pope’s attitude to Belinda is very mixed and complicated: mocking and yet tender, admiring and yet critical. The paradoxical nature of Pope’s attitude is intimately related to the paradox […]

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The Rape of the Lock as a mock-heroic epic.

Answer: Mock epic is a narrative poem which aims at mockery and laughter by using almost all the characteristic features of an epic but for a trivial subject. Alexander Pope’s “The Rape of the Lock” is a famous mock-epic. In it, there is invocation to Muses, proposition of subject, battles, supernatural machinery, journey on water,

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Discuss about the fall of Muslim culture in India in Twilight in Delhi.

Answer: Ahmad Ali’s Twilight in Delhi is not just an ordinary book or a critical commentary on the decline of Muslims of India in the previous century, rather this novel is the first two decades of the twentieth century, when Muslims’ culture was taking its last breaths. This decline was a decline of a great

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Analyse the theme of hereditary guilt in the play Agamemnon

Justify Agamemnon as a tragedy of Sin, Punishment and Redemption.

Answer: Every sin is punished but in the punishment innocents are hurt. “While Zeus abides enthroned… the wrongdoer suffers,” but often so does the wrongdoer’s children or wife or concubine. This “curse of the gods” is not unique to Aeschyls plays; it is the condition of our fallen world. Protestants in Northern Ireland cannot identify

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Chaucer Age

Chaucer’s art of characterization is both medieval and modern in Prologue to the Canterbury Tales.

Answer: By characterization we mean the presentation of a man inwardly or outwardly through the instrument of language. Chaucer is a poet who brings out the different aspects of a character through creating images and these images are linguistic images. Like Shakespeare and Dickens, Chaucer is also a great master of creating characters. In fact “The prologue

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Innatist theories

What do you mean by Innatist theories? Discuss Innatism with research evidence.

Answer: Language acquisition is one of the central topics in cognitive science.  Every theory of cognition has tried to explain it. Probably no other topic has aroused such controversy. Possessing a language is the quintessentially human trait: all normal humans speak, no nonhuman animal does. Noam Chomsky argues that children are born with a unique

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Nativist Approach to language learning

Briefly discuss the Nativist Approach to language learning.

Answer: Nativism is a current concept rooted in innatism. It is grounded in the fields of genetics, cognitive psychology and psycholinguistics. The advocates of nativism are mainly philosophers working in the field of cognitive psychology or psycholinguistics: most notably Noam Chomsky and Jerry Fodor. The nativist’s general objection against empiricism is that: the human mind

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Important theories of learning

What are the important theories of learning? Compare the theories with one another.

Answer: A great many theories regarding language development in human beings have been proposed in the past and still being proposed in the present time. Such theories have generally arisen out of major disciplines such as psychology and linguistics. Psychological and linguistic thinking have profoundly influenced one another and the outcome of language acquisition theories

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Modern schools and Movements

Brief view of Modern schools and Movements in linguistics perspective.

Answer: The study of linguistic changes over time in language or in a particular language or language family, sometimes including the reconstruction of unattested forms of earlier stages of a language. This is the study of linguistic change in “the synchrony and diachronic”. HISTORICISM Historicism, in the sense in which the term is being used

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Analyse the theme of hereditary guilt in the play Agamemnon

Analyse the theme of hereditary guilt in the play Agamemnon.

Answer: The Agamemnon, Choephori, and Eumenides were the last tragedies composed by Aeschylus, and were produced in 458 [B.C.], two years before his death, along with the satiric drama Proteus. The tetra-logy as a whole was called the Oresteia, a name which, whether due to Aeschylus or not, appears to have been in use at

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